You all know about the legendary Blind Alley break by The Emotions. But do you know about this bootlegged version of the Volt classic? This dub-esque version features the reworked Blind Alley on the A-side, with an extended cut of Isaac Hayes’ Bumpy’s Lament on the flip. Both were culled from the original master tapes from the Stax/Volt sessions, which in turn blesses us with a version of Blind Alley (written by David Porter) that features an extended break intro with that heavy bassline, those notorious keys that get the head nodding (pause) and dubbed out vocals. So ill. Now excuse me while I browse through the profiles of blossoming Tiger Mom MILFS on Asian Avenue for a good laugh.
Originally released on Stax Records’ subsidiary label, Enterprise, David Porter’s I’m Afraid The Masquerade Is Over was just one chapter in a series of many recorded for his 1974 Soul-Opera album Victim Of The Joke? By the mid-70s, Porter was already a well-established and highly esteemed song writer for Stax, who, along with writing partner Isaac Hayes, had penned many top charting hits for the racially integrated Memphis, Tennessee label. Hits included Soul Man and Hold On, I’m Comin’ by Sam & Dave, the former which charted at #2, while the latter rolled in a #1 hit; The Charmels’ As Long As I’ve Got You; Soul Girl by Jeanne & The Darlings (which served as a call-and-response song to Sam & Dave’s Soul Man); I Like It by The Emotions and many more.
The down side to Porter’s story was that by the time Victim Of The Joke? was released, Stax was already in a steady state of decline, where the label was currently dealing with shady business when music exec Clive Davis was fired shortly after CBS struck a distribution deal with Stax, ultimately leading CBS to quietly back out of the deal. Eventually Stax completely folded and filed for Chapter 11 bankruptcy in ’75, but not before Porter released his unique soul opera.
The upside to this story is that Porter’s single, …The Masquerade Is Over, solidified his legacy in music forever when countless producers ended up sampling Hip-Hop’s favorite Stax break (which interestingly enough was recorded way before the album was released). In my opinion Porter & Hayes top the list of my favorite and most legendary songwriters of all time, and it’s safe to say I’m not the only one who shares this opinion, as the two multi-talented artists have been inducted into the acclaimed Songwriters Hall of Fame.